แสดงบทความที่มีป้ายกำกับ Mockingbird แสดงบทความทั้งหมด
แสดงบทความที่มีป้ายกำกับ Mockingbird แสดงบทความทั้งหมด

วันจันทร์ที่ 17 กุมภาพันธ์ พ.ศ. 2557

Girl Power: Sourcing the Feminine Strength in To Kill a Mockingbird Quotes and Antigone



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When it comes to being a girl, To Kill a Mockingbird's Scout is more spice than sugar. In fact, she is particularly sugar-free. No frilly pink dresses, pretty baby dolls, or sweet make-believe tea parties for her. She is more likely to punch you in the face than smile sweetly at you, especially if you're being a Grade-A jerk. And that is why most readers love her: she's a spunky, rambunctious tomboy with a good heart-just don't call her a girl. To Scout, being a girl is a lot in life she'd rather not have. After all, what use are dresses to her when she wants to climb, play, and fight? Girls just want to have fun! A dress is a liability; she prefers pants. At least no one can accuse her of being impractical.

Many literary critics are quick to point out the similarities between Scout and To Kill a Mocking Bird author Harper Lee's life. Whether or not Lee was a rowdy tomboy like good ole Scout, Lee was certainly able to get inside the mind of a motherless little girl constantly running with the boys. In fact, a close analysis of some select To Kill a Mockingbird quotes will show Scout to struggle with being a girl. To her, it's a "pink cotton penitentiary." Yet, as the novel progresses, Scout starts to see the value and skill in being a woman, despite what her father Atticus calls the Southern environment that follows the "polite fiction" that female subservience and inferiority are a given. Scout symbolically overcomes this notion in the coming-of-age story near the end of the novel when she follows in Aunt Alexandra in assuming a polite decorum in spite of the death of Tom, the black man Atticus represented in a controversial rape trial. She says: "After all, if Aunty could be a lady at a time like this, so could I." Scout sees there is strength and value in being a female, in bravely carrying on in face of trying situations. And she doesn't have to give anyone a bloody nose to prove it.

However, the idea of feminine strength and endurance in oppressive times is actually a theme that has been woven into literature for well over a thousand years-from Sophocles's Antigone to Nathanial Hawthornes's Scarlet Leter. In fact, Antigone, the daughter of notorious motherlover and Sigmund-Freud-darling Oedipus, is a prominent literary paragon of female strength in face of adversity. Scout could learn a lot from her. In spite of the tyrannous King Creon's decree that her brother Polyneices be left out like a sun-dried tomato instead of given a proper burial, Antigone does the moral, humane thing and buries him. The badass Antigone doesn't even flinch when Creon chastises and imprisons her for her supposed crime, sticking to her moral guns-or swords, if you want to be historically accurate in your expressions. She's got nerves of steel, that one. She accepts her punishment and then kills herself, arguably dying on her own terms to spite her impending death sentence ordered by Creon.

Sticking to your moral principles when the popular, much easier option is to abandon them takes some serious guts-something that Scout also learns in the novel's tense, racially motivated rape trial, the one Atticus refuses to quit because he believes representing Tom is is the right thing to do. Scout learns that men are not the only ones who have this moral ability to persevere-women have it too. Girl power for the win.

Paul Thomson is an avid reader of English Literature. His areas of expertise include Antigone, To Kill a Mockingbird quotes, and Scarlet Letter. In his spare time, he loves to participate in online literature forums and promote reading for youth.




วันพุธที่ 5 ธันวาคม พ.ศ. 2555

Endurance As a Virtue in The Scarlett Letter - Antigone and To Kill a Mockingbird Quotes



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Endurance is a virtue that we, as a Westernized society, place a great deal of worth in. To withstand intense pain, strife or just plain unpleasantness-or even muster up the strength to resist an endlessly tempting pint of Ben & Jerry's Chubby Hubby-is to be respected, appreciated and at times, worshipped. History is littered with examples of those elevated super-humans who demonstrated the capacity to grin and bear it while turning the other cheek. Think Jesus, Mohammad, Buddha or even the countless Christian saints revered for their storied sacrifice and strength.

It should be no surprise that our reverence for those who endure has found its way into our story telling. Tales of strength, daunting and physically excruciating tasks and the ability to overcome the odds are the stuff that define our heroes. More importantly, these sort of tales also define humanity as a whole. They represent not only our values and our morals as mere humans, but they also construct social norms and rules that shape our societies. Again, religious figures such as Jesus and Buddha come to mind, whose teachings have shaped our perceptions of how we as humans should act for thousands of years. Consider the Golden Rule-a virtue present in nearly every religion that urges people to treat others as they would like to be treated-as a sort of test of endurance. Especially when you're in line for the DMV. That bitter (and completely justifiable) attitude is only going to get you more bitterness.

A classic literary example of valued endurance, especially with religious connotations, is Nathanial Hawthorne's The Scarlet Letter in which Hester Prynne, a young woman living in mid-17th century puritanical Massachusetts Bay Colony area, is publicly punished and shamed for having a child with someone who is clearly not her husband, since the dude has been MIA for a few years. As part of her punishment, she is forced to wear the letter "A" to forever mark her as an adulterer. Yet, despite her imprisonment, constant public shaming and general disenfranchisement, Hester endures. A woman of honor, she does not public reveal who her baby daddy is (it's the town minister, by the way) to protect him and his reputation. Her love for the minister gives meaning and purpose to her suffering, making her a patient and relatively tolerant literary figure with religious overtones.

Another notable female figure of endurance is Antigone, Sophocle's famous play about a young noble woman whose morals and do-right attitude prompts her to defy the king's irrational decree that banned the proper burial of her traitorous brother. Her courage and gall is what largely defines her ability to endure, refusing to back down or out her sister as an accomplice while standing before the king. Though she does kill herself off stage while in prison, Sophocles' implies that her action was not out of fear or desperation but it was yet another way to defy and thwart the tyrannical king. That level of commitment and bravery is akin to the virtues contained in our human capacity to endure, often going hand in hand.

The trope of female endurance is also not lost on Harper Lee, who created Scout, a tough tomboy character who learns that with femininity comes great strength and an undeniable ability to endure trying times. In one of the To Kill a Mockingbird quotes, Scout finds that her Aunt Alexandra's insistence on maintaining polite hospitality in light of the tragic death of Tom is in fact an attribute of endurance and strength rather than being a hypocritical or insensitive display. Scout says: "Aunt Alexandra looked across the room at me and smiled. She looked at a tray of cookies on the table and nodded at them. I carefully picked up the tray and watched myself walk to Mrs. Merriweather. With my best company anners, I asked her if she would have some. After all, if Aunty could be a lady at a time like this, so could I."

Our stories show us humans to carry on and endure in hard times. After all, it's what makes us human.

Paul Thomson is an avid reader of English Literature. His areas of expertise include Antigone, To Kill a Mockingbird quotes and Scarlet Letter. In his spare time, he loves to participate in online literature forums and promote reading for youth.




วันพุธที่ 12 กันยายน พ.ศ. 2555

To Kill a Mockingbird: The Effect of Racist Influences on the Young



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America has a long history of racism. Unless you've spent your entire life with your head under a watermelon, you should be well aware of the negative stereotypes that African Americans have long had to endure, and the discrimination with which they continue to be faced. Believe it or not, there once was a time when they weren't even allowed to take the SAT!

Because of this country's long history of slavery, the struggles of African Americans have often been reflected in our nation's literature. Many works centering on race or racism have won Pulitzers and National Book Awards and are frequently listed as some of the greatest American novels - books such as Ralph Ellison's Invisible Man and Richard Wright's Native Son and Black Boy among them. However, none has stuck with us quite so strongly nor had quite such a profound effect on the makeup of the American literary canon as Harper Lee's To Kill a Mockingbird.

So the question is, why? What makes this book so special? You don't need to read an entire To Kill a Mockingbird Summary to figure it out - all you need to notice is something about a few of the main characters.

Whereas most novels dealing with the issue of racism tend to focus on adults of at least 17 or 18 years old, To Kill a Mockingbird explores the subject from the point of view of children who are quite a bit younger. The reason this is consequential is that the seeds of racism are planted when we are young. It is much more moving and powerful to see the ways in which children transform (or don't transform, depending on the quality of their outside influences) as they progress through their formative years. In To Kill a Mockingbird, we have the opportunity to observe just such a thing.

We'll leave you with a few To Kill a Mockingbird Quotes that draw attention to the differences between the ways that children and adults view and deal with racism:

"Atticus-" said Jem bleakly. He turned in the doorway. "What, son?" "How could they do it, how could they?" "I don't know, but they did it. They've done it before and they did it tonight and they'll do it again and when they do it - seems that only children weep. Good night." (22.14-17)

"Don't talk like that, Dill," said Aunt Alexandra. "It's not becoming to a child. It's - cynical.""I ain't cynical, Miss Alexandra. Tellin' the truth's not cynical, is it?" "The way you tell it, it is." (22.32-34)

The adults in Maycomb never discussed the case with Jem and me; it seemed that they discussed it with their children, and their attitude must have been that neither of us could help having Atticus for a parent, so their children must be nice to us in spite of him. The children would never have thought that up for themselves: had our classmates been left to their own devices, Jem and I would have had several swift, satisfying fist-fights apiece and ended the matter for good. As it was, we were compelled to hold our heads high and be, respectively, a gentleman and a lady. (26.10)

Paul Thomson is an avid reader of English Literature. His areas of expertise include SAT, To Kill a Mockingbird, and PSAT. In his spare time, he loves to participate in online literature forums and promote reading for youth.




วันอังคารที่ 24 กรกฎาคม พ.ศ. 2555

Losing Innocence in To Kill a Mockingbird and Reflections From Catcher in the Rye



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Why do we love stories about pure, hopeful characters getting stripped of their innocence? One needn't take an "AP Psychology" course to know. The loss of innocence is a relatable theme. Who hasn't had their equilibrium memorably thrown off balance through a rude awakening to some terrible truth? It is part of growing up or coming of age. Perhaps the most painful aspect of this experience is the fact that there is no going back. Once innocence is gone, it's gone for good.

Experiencing Jem's heartbreaking loss of innocence in "To Kill a Mockingbird" may be a pivotal reason we return to this classic again and again. We feel Jem's childish hopefulness and pride as he watches Atticus absolutely prove Tom Robinson's innocence. Jem is certain that Tom will go free. We want the world of Maycomb, Alabama to be a better place for Jem, but we are not surprised to find that it is not. The shock and disappointment Jem feels when Tom is found guilty is palpable. The world Jem thought he knew so well does not exist. Instead, he faces a hearty dose of what adults like to call "reality."

It is this reality that Holden Caufield finds deplorable. Catcher in the Rye plays on the theme of innocence from the inside out. Holden has had his rude awakening and finds what he sees to be ugly and depressing. He yearns for youth and innocence and thinks it's all a damn shame that people turn out the way they do. Even though he knows it cannot be, he wishes things would remain the same.

"Certain things they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone. I know that's impossible, but it's too bad anyway."

Holden bemoans the "filth" of the world and equates it with adulthood. He yearns to contain youth in a jar. The way he sees it, growing up only turns you into a "phony" or a "bastard."

If everyone loses their innocence as they age and mature, a question to ponder is: what does one do with this newfound knowledge? How does a person's personality and view of the world adjust after seeing things in a different light? Jem is torn up when the jury convicts Tom. However, with the great support and guidance of super-dad, Atticus, he remains hopeful. We are confident that Jem will grow gracefully into adulthood and, like his father, become a moral and optimistic man. At the other end of the spectrum is Holden. He sees the filth of the world and can't seem to see beyond it. He has lost hope and respect for the world he has to live in. Which character do you identify with? Do you see the world around you for what it is and remain hopeful or do you resent your awakenings and long for more innocent times? One thing to keep in mind: one of these characters ended up in a padded room.

Paul Thomson is an writer and frequent online contributor who is passionate about improving college readiness. He frequently writes about the AP Psychology, To Kill a Mockingbird and Catcher in the Rye Quotes. In his spare time, he loves to promote the joy of reading to youth in his community.